Sunday School For Sentences #10 – Work It

ain’t no shame baby do your thang

just make sure you’re ahead of the game

- Missy Elliott, Work It

Usually in Sunday School for Sentences, I preach to you about how to improve your writing one sentence at a time.

I do that because I believe  live, luminous writing is microspopic; and, proceeding from that belief, I endeavour to provide you with tiny, almost instantly implementable practical tips and techniques. It’s all part of our – yours and mine, Dear Writer –  joint quest to create some holy shit writing.

This fine Sunday, however, I’m going to talk to you about your life, your finances, and your job.

Because how we organize our lives, pay our bills and feel about our jobs has a direct impact on how much and how well we write.

Often my working relationship with a client starts like this:

Person sends me a heartfelt e-mail about how she loves to write, desires in blood-coursing, limbic way to be a better writer, is in fact a pretty good writer, but still – and here I envision a shamefaced, eye-contact-avoiding,  imaginary rock kicking shuffle – has a job and therefore is not a ‘real’ writer or artist of any valour or validity.

And then I talk him off the mortification ledge and convince him that he is a real writer right now, or will be, if he just starts writing.

It happens in phone calls. In consultations. In person. The people I work with are consistently embarassed to be employed, as though having a job is an affliction or a sexually transmitted infection (which, in my opinion, there should be a lot less shame around, but that’s another post and possibly another site altogether) or one of those not-ideal conditions in the way of creation.

art never comes from happiness

It blows my mind.

It means we’ve bought a lie.

<——- Do we really believe this?

I don’t.

I’ve thought about it and thought about it and thought about it and I have a theory upon which I shall expound in Red Shoe Blogger. (I’m writing a chapter called “Ain’t No Shame in the 9-5″ about what this shame means and how to trump it.)

In the meantime, however, here’s what I know and I want you to know too:

Having a job – especially a boring, unfulfilling, unchallenging one - can be the single best thing to ever happen to you as an artist.

Because having your bills paid is an ideal creation for creativity. Being able to eat, answer your phone (both because it hasn’t been cut off and because collection agents aren’t calling), maintain adequate shelter and otherwise breathe easy because the day-to-day keeping-of-shit together isn’t in question WILL HELP YOU WRITE.

Dear Writer, I rarely use capitalization. Infer what you will from my lapse.

As I first mentioned in the early days of my writing/blogging career – and I penned it in the most genteel, understated and discreet fashion -  when I am broke, I am stressed. Stress is the financial version of heartbreak and when I’m in the midst of both, I go to bed for days/weeks/months at a time. In these times, regular bathing is an accomplishment. When the bar is this low, no creation occurs.

And so, it seems to me, that receiving a regular paycheque – aka ‘having a jayohbee’ – is almost as essential to a writer’s productivity as are laptops and internet connections. (Paper and pen is conspicuously absent from this toolkit, I know, but I’m really that new-school. I don’t even have a pen. When I need to sign something, I borrow a felt marker from my daughter, who also doesn’t have a pen.)

Having a boring job is even better for a writer. It means you can save all your thinking and passion for your art. It means you’ll be desperate to find an outlet for your creativity and your writing will flourish. It means you’ll have to be disciplined about finding time every day to write because you’re conscious that if you let this hour get away from you, you won’t be able to make it up tomorrow…because you have to go to work.

And so, Dear Writer, having a job doesn’t mean you’re not a real writer. It means you’re creating the conditions by which you can successfully create.

Because here’s the historical truth about good writing and great authors:

Real writers have jobs or they live off women. Ask Hemingway. He did both.

image by RusherVision, quote by Chuck Palahniuk (click here to return to your place in this post)

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Sunday School for Sentences will be a sixteen-part series. Missed one? Here they are:

  • Prologue: God, Sex and Dazzling Sentences
    1. Sunday School for Sentences #1: Explain the Expected in Unexpected Ways
    2. Sunday School for Sentences #2: The (Textual) Reverse Cowgirl
    3. Sunday School for Sentences #3: Object Lessons (from Kanye West and JD Salinger)
    4. Sunday School for Sentences #4: How to Give Good Quote
    5. Sunday School For Sentences #5: Why You Should Write Bad Poetry
    6. Sunday School for Sentences #6: Two Damn Fine Writing Tips
    7. Sunday School for Sentences #7: There Are No Magic Words
    8. Sunday School for Sentences #8: How To Execute a Climax or Series of Climaxes. I’m talking About Writing. Mostly.
    9. Sunday School for Sentences #9: Thread the Grommets, Lace the Corset, Feed the Rabbits
    10. Sunday School For Sentences #10 – Work It
    11. Sunday School for Sentences #11: The Pigs In Space Edition
    12. Sunday School for Sentences #12: Screw SEO. I Write (Wackadoo Titles) for PEOPLE, Not Search Engines. And So Should You.
    13. Sunday School for Sentences #13: How to Write an Intimate Cosmology of Cheesecake, Cheesecake Shots (or not) and Shoplifting
    14. Sunday School for Sentences #14: What Picasso And Dave Chappelle Know about Writing. For Realz. 
  • Sunday School for Sentences will be a sixteen-part series. Missed one? Here they are:

  • Prologue: God, Sex and Dazzling Sentences
    1. Sunday School for Sentences #1: Explain the Expected in Unexpected Ways
    2. Sunday School for Sentences #2: The (Textual) Reverse Cowgirl
    3. Sunday School for Sentences #3: Object Lessons (from Kanye West and JD Salinger)
    4. Sunday School for Sentences #4: How to Give Good Quote
    5. Sunday School For Sentences #5: Why You Should Write Bad Poetry
    6. Sunday School for Sentences #6: Two Damn Fine Writing Tips
    7. Sunday School for Sentences #7: There Are No Magic Words
    8. Sunday School for Sentences #8: How To Execute a Climax or Series of Climaxes. I’m talking About Writing. Mostly.
    9. Sunday School for Sentences #9: Thread the Grommets, Lace the Corset, Feed the Rabbits
    10. Sunday School For Sentences #10 – Work It
    11. Sunday School for Sentences #11: The Pigs In Space Edition
    12. Sunday School for Sentences #12: Screw SEO. I Write (Wackadoo Titles) for PEOPLE, Not Search Engines. And So Should You.
    13. Sunday School for Sentences #13: How to Write an Intimate Cosmology of Cheesecake, Cheesecake Shots (or not) and Shoplifting
    14. Sunday School for Sentences #14: What Picasso And Dave Chappelle Know about Writing. For Realz. 
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